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<\/a><\/p>\nIt\u2019s time to investigate housings for the light emitters, to discuss the object-ness of the glass objects, and whether I will toink them with my silver hammer or let them stay in their bougie bodies \u2013 where hollowness counts for something and what does a flat plane do to the flow of the photons, I bet it\u2019s a cooler. Or maybe it\u2019s a color separator. \u2018don\u2019t you want to find out anymore,\u2019 Pan lows from behind the new closet, \u2018afraid to see it again?\u2019 I wonder what he\u2019s got back there to make himself out of<\/strong>. Almost never to be without one, Pan fashions a fine pointy prick today from a rogue shadow that he coaxed out of nowhere, the only shadow in the scene. ‘baby, sing with me somehow,\u2019 he warbles, flashing in the lightning like a drawing of this part of the story.<\/p>\n Also and simultaneously I am shown the shape of the baffles I am to fabricate for these optic experiments. \u00a0 From across my mind Malevich says, with a quick upward motion of his jaw, and one leering eye, \u00a0‘c’mon,’ \u0434\u0430\u0432\u0430\u0439 \u043f\u043e\u0441\u043c\u043e\u0442\u0440\u0438\u043c\u00a0‘let’s see.’ He has been waiting all this time for today\u2019s work, with the LEDs and what its light shows through optics.\u00a0 How the er egg-disk, the Pringle shape the photons take, becomes, at some iterations, through a curved glass lens, a square.\u00a0 Plus he can\u2019t keep his hands off the black foil.\u00a0 He is cutting and taping geometric, multi-component light baffles.\u00a0 They make fish eyes like a paper towel and a drain.\u00a0 I am even made to think in my poor Russian, and he reminds me of long-forgotten words.<\/p>\n I decide what I really need is a spring drive to scare myself in proximity, the windows down, with my jeans and boots and no phone, just to tempt fate. I decide that\u2019s just what I need, and start to think of how I will get into the best ride for the ride. I\u2019m going to do it the right way, too, with paper maps and cold orange drinks in glass bottles.<\/p>\n sketching with photons: studio optic 403<\/p>\n Let\u2019s look at why<\/em> reading \u2018works\u2019 \u2013 \u00a0because\u00a0multiple Universes can be conveyed in a drop or two of ink.\u00a0 I think of the library of the world, connected through the minds of its readers and writers, a system (naturally we\u2019ll be curious to investigate what kind<\/em> of system but that\u2019s optical work) that works on account of access and the ability to deposit one\u2019s own information in it as well, some<\/em>where, which is fast becoming every<\/em>where because of the internet.\u00a0 But the library of the world does not consist of written words, it is a library of thought<\/em> that touches down into writing, like the running feet of a shore bird.<\/p>\n This is my reading cocktail.\u00a0 Newton, Buckminster Fuller, and Gabriel Garcia Marquez.\u00a0It always has to be three sizes vaster than I already am. \u00a0It\u2019s like, you want the gig, and I\u2019m like, have you seen<\/em> these boots?<\/p>\n <\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" Here come these optics, I can easily see the function of the hardware. Imagine inspecting the total surface of an orange with a flashlight, and how the arms and hands would work for that. \u00a0I pinky swear myself to move the work forward and not get lost in the prettiness I am about to witness, … Continue reading have you seen?<\/span> <\/a> <\/a> <\/a> <\/a> <\/a> <\/a> <\/a> <\/a><\/p>\n